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Stories My Father Couldn’t Tell Me: Jeff Thomas Origin

October 19, 2024
 - March 16, 2025

Opening Reception: Thursday, October 24, 2024

Listen to this clip from Jeff Thomas on the piece My Buffalo Creek / Cold City Frieze, 2024

“[The exhibition is in part] the culmination of my four decades as a photo-based storyteller and incorporating new technology as an element. I am focused on mining my archive of personal work and my research archive to build what I call post-reserve stories.” — Jeff Thomas (Rolfe 2023)  

In this exhibition we explore the critical and creative practices of Jeff Thomas, Urban-Iroquois photographer, curator, activist, and cultural theorist. We consider his artistic process, exploring how artist proofs, archives and a brand-new series titled Dream Panels, reflect Thomas’ authorship of his experience on this land, regardless of government designations, in resistance, reflection and activism.  

Starting in 1980, Thomas began making art that countered the exclusion of Indigenous histories, experiences, sovereignties and origins, in urban spaces like his hometown of Buffalo, NY. His early works included street photography and portraits of his son, Bear. Thomas began mapping the erasures and continuities of Indigenous knowledge by building complex narratives that recontextualize archival prints by colonial photographers like Edward S. Curtis, Karl Bodmer and William James Topley.  

The breadth and scope of Thomas’ oeuvre reflects his generative curiosity and the interconnectedness he sees in place and time. In Dream Panels, he revisits his past 40 years of art making, examining his core concerns. These panels reveal that themes of Indigenous masculinity, disability, fatherhood and relationships between land, his ancestors and family have remained central to his rigorous practice.

The National Gallery of Canada (NGC) and the Ottawa Art Gallery (OAG) are engaged in a unique partnership to support the agency, self-determination and cultural sovereignty of Indigenous artists, cultural producers and communities.  

Curators: Rachelle Dickenson, PhD (National Gallery of Canada), Hanako Hubbard-Radulovich, Victoria Pelky (Carleton University)
Exhibition Design: elsonstudio
Technical Team: Jennifer Gilliland, Stephanie Germano, Dan Austin, Rob Keefe, Mark Garland, Neil Hossack
Editors: Matt Harrison, Véronique Couillard
Graphic Design: Leah Ross, Mathieu Kirchmayer
French Translation: Louise Saint-André, Marie-Camille Lalande 
Didactic Printing: Optima
Printing of Dream Panels: Dave Andrews, Digital Art & Restoration. With support from the Canada Council of the Arts

The Ottawa Art Gallery would like to recognize RBC Foundation’s support of the OAG’s Connect: Artist Mentorship Program, and acknowledge the support of the City of Ottawa, the Ontario Arts Council and the Canada Council for the Arts.

         

Tour the Exhibition

Related Events

Additional Resources

 


Ammaturo, Enrica. “‘Urban Iroquois’ Photographer Jeff Thomas Feels He’s Finally Kept the Promise He Made 40 Years Ago.”
CBC Radio (blog), March 18, 2019. https://www.cbc.ca/radio/q/monday-march-18-2019-johnny-marr-jeff-thomas-and-more-1.5058074/urban-iroquois-photographer-jeff-thomas-feels-he-s-finally-kept-the-promise-he-made-40-years-ago-1.5058100.

Art Canada Institute – Institut de l’art canadien. “Jeff Thomas.” Art Canada Institute – Institut de l’art canadien. Accessed Dec. 6, 2023. https://www.aci-iac.ca/art-books/photography-in-canada-1839-1989/key-photographers/jeff-thomas. 

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Beard, Laura J., and Ricia Anne Chansky. The Divided States: Unraveling National Identities in the Twenty-First Century. Wisconsin Studies in Autobiography. Madison: The University of Wisconsin Press, 2022. 

Bodies in Translation. “Jeff Thomas,” Feb. 4, 2021. https://bodiesintranslation.ca/jeff-thomas/. 

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Chartrand, Rhéanne, Gerald McMaster, Janet Catherine Berlo, Paul Chaat Smith, Jeff Thomas, Leonard Baskin, Fritz Scholder, and McMaster Museum of Art. Peripheral Vision(s): Perspectives on the “Indian” Image by 19th Century Northern Plains Warrior-Artists and 20th Century American Artists Leonard Baskin and Fritz Scholder. Hamilton: McMaster Museum of Art, 2019. 

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Henry, Victoria, and Shelley Niro. “From Icebergs to Iced Tea, 1994”. Thunder Bay Art Gallery, a National Exhibition Centre and Centre for Indian Art, 1994. 

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Lauzon, Claudette. “Monumental Interventions: Jeff Thomas Seizes Commemorative Space – Carleton University.” In Imagining Resistance: Visual Culture and Activism in Canada, Waterloo: Wilfrid Laurier University Press, 2010.  

Lavoie, Emilie Grace. “Sovereign Acts.” Visual Arts News (blog), Sept. 1, 2019. https://visualartsnews.ca/2019/09/sovereign-acts/. 

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Mahon, Patrick, and Jeff Thomas. “GardenShip and State: The Exhibition.” GardenShip, Jan. 7, 2022. https://www.gardenship.ca/exhibition. 

Marchessault, Janine and Markham Museum. Land Slide: Possible Futures. Toronto: PUBLIC Books, 2015. 

Martin, Lee-Ann, and Jeff Thomas. “In conversation with Lee-Ann Martin & Jeff Thomas,” July 15, 2019. https://www.youtube.com/watch?v=_XPDiaUkY7Y. 

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Migwans, Mikinaak, Maria Hupfeild, and Syrus Marcus Ware. “Monuments, Movements, and the Photography of Jeff Thomas.” Art Museum at the University of Toronto, Sept. 1, 2020. https://artmuseum.utoronto.ca/virtual-spotlight/monuments-movements-and-the-photography-of-jeff-thomas/. 

Mitten, Brenda. “Visions”: an exhibition of contemporary native photography organized by the Native Indian & Inuit Photographers’ Association. Hamilton: NIIPA, 1985. 

Nanibush, Wanda, Peggy Gale, Jim Shedden, Bojana Stancic, and the Art Gallery of Ontario. Toronto: “Tributes + Tributaries, 1971–1989 = Gchi-Oodenaang : Ezhi-Mina-Waajimong Eni-Naabiischigeng”. Toronto: Art Gallery of Ontario, 2018. 

National Post. “Jeff Thomas’s Three Decades of ‘Bear Portraits’ Trace the Evolution of His Son from Child to Grown up Member of A Tribe Called Red.” National Post (Toronto), Aug. 12, 2015. https://nationalpost.com/entertainment/music/jeff-thomass-three-decades-of-bear-portraits-trace-the-evolution-of-his-son-from-child-to-grown-up-member-of-a-tribe-called-red. 

National Gallery of Canada. “Artist Interview: Jeff Thomas,” 2013. https://www.youtube.com/watch?v=R4EMZIn2YFk. 

National Gallery of Canada. “Sakàhan Artist Interview: Jeff Thomas,” 2013. https://www.gallery.ca/magazine/artists/national-gallery-of-canada-artist-interview-jeff-thomas. 

Parker, Judith. “Many Guises: Contemporary Self-Portraits = De multiples facettes : autoportraits contemporains.” Ottawa: Bytown Museum = Musée Bytown, 2010. 

Power, Tom. “‘Urban Iroquois’ Photographer Jeff Thomas Feels He’s Finally Kept the Promise He Made 40 Years Ago.” CBC Radio (blog), March 18, 2019. https://www.cbc.ca/radio/q/monday-march-18-2019-johnny-marr-jeff-thomas-and-more-1.5058074/urban-iroquois-photographer-jeff-thomas-feels-he-s-finally-kept-the-promise-he-made-40-years-ago-1.5058100. 

Pyne, Stephanie, and Jeff Thomas. “Mapping Jeff Thomas Mapping.” In Modern Cartography Series, 8:57–100. Elsevier, 2019. https://doi.org/10.1016/B978-0-12-815343-7.00003-8. 

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Robb, Peter. “Ottawa’s Urban Iroquois Jeff Thomas Honoured with Governor General’s Award for Visual Arts.”  ARTSFILE. Accessed Dec. 6, 2023. https://artsfile.ca/ottawas-urban-iroquois-jeff-thomas-honoured-with-governor-generals-award-for-visual-arts/. 

Rolfe, Matthew. “Jeff Thomas’s Urban Vision.” Foyer: Art and Culture News from Canada and Beyond, Sept 27, 2023. https://readfoyer.com/article/jeff-thomass-urban-vision. 

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———. Drive by: A Road Trip with Jeff Thomas. Toronto: University of Toronto Art Centre, 2008. 

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