Texts by Michelle Gewurtz, Catherine Sinclair, Robert Enright, and Sara Matthews
This exhibition publication provides a comprehensive overview of nichola feldman-kiss’ work over the last fifteen years. Essays explore feldman-kiss’ engagement with the personal and political through her installations childish objects (1966 –) / the camera eye (aka Witness) (1970, 2006 –), the intuitive source material of the reliquarium database (2000), and Africa \ “So long, Farewell” (sunset) / a yard of ashes (continuous cross) / “Oh! How I hate to get up in the morning!” (sunrise) (2012), while original artist commentary accompanies feldman-kiss’ most recent intervention between here and there (2015).
95 pp; softcover
Col. ill.; 9 x 6 in